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Published by: Waylen Lin
Info: Entrepreneur/Film Producer @netizaar Elevating Humanity

Cast Ellen Toland; creator Aaron Fisher; Movie Info Inside the Rain is a movie starring Rosie Perez, Eric Roberts, and Aaron Fisher. Facing expulsion from college over a misunderstanding, a bipolar student indulges his misery at a strip club where he befriends a gorgeous; ; Countries USA.

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Inside the rain free movie torrent. There is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Coming! Hang on a second. Hello? - Barry? - Adam? - Oan you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118, 000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp... under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive Oity graduating class of...... 9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick ourjob today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Catches that little strand of honey that hangs after you pour it. Saves us millions. Can anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference? " How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Check it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Couple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! 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I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time! This time! This... Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that..... of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him. It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Bye, Vanessa. Thanks. - Vanessa, next week? Yogurt night? - Sure, Ken. You know, whatever. - You could put carob chips on there. - Bye. - Supposed to be less calories. I gotta say something. She saved my life. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Oome on! No. Yes. No. Do it. I can't. How should I start it? "You like jazz? " No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. - You're talking. - Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you... I had to thank you. It's just how I was raised. That was a little weird. - I'm talking with a bee. - Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. - Wait! How did you learn to do that? - What? The talking thing. Same way you did, I guess. "Mama, Dada, honey. " You pick it up. - That's very funny. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I..... you something? - Like what? I don't know. I mean... Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, "Watermelon? I thought you said Guatemalan. Why would I marry a watermelon? " Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I know how you feel. - You do? - Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. - Really? - My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look... There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. - Why do girls put rings on their toes? - Why not? - It's like putting a hat on your knee. - Maybe I'll try that. - You all right, ma'am? - Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you...? Oan I take a piece of this with me? Sure! Here, have a crumb. - Thanks! - Yeah. All right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. 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Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at him. He doesn't respond to yelling! - Then why yell at me? - Because you don't listen! I'm not listening to this. Sorry, I've gotta go. - Where are you going? - I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. - What is wrong with you?! - It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic 'N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. - And you? - He really is dead. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Oarl Kasell. But don't kill no more bugs! - Bee! - Moose blood guy!! - You hear something? - Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. - Bees hang tight. - We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. - What if you get in trouble? - You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. "They make the honey, and we make the money"? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. - What? - Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. - You wish you could. - Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! - That would hurt. - No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, Olassy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, "I'm a kid from the hive. I can't do this"? Bees have never been afraid to change the world. What about Bee Oolumbus? Bee Gandhi? Bejesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week... He looks like you and has a show and suspenders and colored dots... Glasses, quotes on the bottom from the guest even though you just heard 'em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. - Is that that same bee? - Yes, it is! I'm helping him sue the human race. - Hello. - Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go 'cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get me psychotic! - Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. - This lawsuit's a pretty big deal. - I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home, " without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say... Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! - Order in this court! - You're all thinking it! Order! Order, I say! - Say it! - Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Well, here's to a great team. To a great team! Well, hello. - Ken! - Hello. I didn't think you were coming. No, I was just late. I tried to call, but... the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right... there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the rightjob. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little mind games. - What's that? - Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Ohapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! - You're bluffing. - Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Hey Redditor, if you're still reading this for whatever reason, I cut some of the script cause 40, 000 characters is the max, lol. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! - Is that another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory... That's Barry!.. attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small... Haven't we heard this a million times? "The surface area of the wings and body mass make no sense. " - Get this on the air! - Got it. - Stand by. - We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More than we realized. To us, to everyone. That's why I want to get bees back to working together. That's the bee way! We're not made of Jell-O. We get behind a fellow. - Black and yellow! - Hello! Left, right, down, hover. - Hover? - Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. - That may have been helping me. - And now we're not! So it turns out I cannot fly a plane. All of you, let's get behind this fellow! Move it out! Move out! Our only chance is if I do what I'd do, you copy me with the wings of the plane! Don't have to yell. I'm not yelling! We're in a lot of trouble. It's very hard to concentrate with that panicky tone in your voice! It's not a tone. I'm panicking! I can't do this! Vanessa, pull yourself together. You have to snap out of it! You snap out of it. You snap out of it. - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - Hold it! - Why? Oome on, it's my turn. How is the plane flying? I don't know. Hello? Benson, got any flowers for a happy occasion in there? The Pollen Jocks! They do get behind a fellow. - Black and yellow. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Oome on. You got to think bee, Barry. Thinking bee! Thinking bee! Thinking bee! Wait a minute. I think I'm feeling something. - What? - I don't know. It's strong, pulling me. Like a 27-million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! - Not that flower! The other one! - Which one? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. - This is insane, Barry! - This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Come on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! - Thank you. - But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're gonna survive as a species, this is our moment! What do you say? Are we going to be bees, orjust Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Can I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these. Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Can I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. - When will this nightmare end?! - Let it all go. - Beautiful day to fly. - Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. - Thinking bee! - Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Can we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that.

Inside the rain free movie 2016. Thank you for thinking of us, the desperate, the lost, the sleepless & the bewildered, I wish I had the guts to venture into the unknown like yourselves. Inside the rain free movie 2017. Inside the rain free movie poster. This is proper good stuff. Verification! m Edit: Thanks for the gold x2! Disclaimer: this verification/picture has nothing to do with the corona beer company. Update: this post has gotten huge! I’ll reply to everyone as I can, and will post more updates as they come. CROSSPOSTED If you can hit like and bump it so the world can be more aware, I’d appreciate it! Local time: 2/7/2020 08:08 What seems to be a military truck showed up on port? Will update here as I can. There are men in camo that are port side. 09:00 We got fresh towels! To those on the ship, just call your attendant periodically. They are washing towels every now and again and can offer fresh ones. 09:41 Interviewed with a Japanese newspaper. There are now two military trucks and 5 ambulances, all in hazmat suits - imagining more people will be taken ashore for treatment. The food situation has gotten MUCH better - we went to bed hungry and thirsty, but are actually full now. 09:57 41 new cases for a total of 61 cases on board. Lots of news crews, helicopters, and ambulances arriving. No news has been shared from Princess Cruises - we learned from the news. The help desk told us that those who have tested negative will be notified as well. 10:28 Thermometers and gloves will be delivered to every stateroom. Gloves and masks must be worn for open deck time. Temperature must be recorded at regular intervals - any temperature higher than 37. 5c must be reported. The cruise line is doing the very best that they can, and seem to have a system in place now that works. 15:29 Just woke up from a much needed nap - lunch came! Still 1-2 dozen ambulances out. Someone in our hallway was taken away. It feels a bit like the hunger games with uncertainty of who will be plucked next. Lunch is really nice today - much like the dining hall meals. Now our only issues are uncertainty and boredom, plus of course confinement and lack of exercise. 16:29 Worthy update.. I think booze is for sale? 16:58 We found out some of our aussie friends were told that they were negative. Huge relief, as they sat next to us for the two weeks of the cruise at dinner! 18:05 Japanese authorities continue to take people off the boat, with about a dozen people to go, looks like. People are getting roughly an hours notice before being removed from the boat. Situation on the boat is good - we’re still stuck to the cabins but making the most of the situation. We’ve actually been busy today with everything online! We’ve interviewed with a japanese newspaper and Chinese news site today, with an American news channel tonight/tomorrow. People have reached out to us to see if we can get supplies delivered. Y’all have been so kind and responsive, we really appreciate it! 18:30 We learned that some people were separated from their husbands today due to being tested positive. Their spouses are not allowed to join them. Wonder if those spouses are being re-tested? Our status has yet to be confirmed. 18:51 Dinner is here! Food situation remains to be great. When I catch up with replies, I’ll work on getting a photo album up. 19:35 Read on our Facebook thread that people are not being reimbursed by travel insurance due to the fact that it’s an epidemic. In one case, a news journalist reached out to an insurer asking about why they weren’t covering us - turns out, they changed their mind and covered them! Hopefully either we can get coverage, OR the cruise line does the right thing for lost wages, lost time, uncertainty, and just in general the situation that none of us can control. 19:40 41 new cases with a total of 61. This concludes the 273 originally tested. Happy to say that my wife and I are NEGATIVE! Nationality breakdown: Argentina: 1 Australia: 5 Canada: 5 Japan: 21 American: 8 Britain: 1 Quarantine official end date is Wednesday, 2/19/2020, unless further developments are made by the Japanese health ministry. The US embassy is working to get us off the boat on this date. Until then, cabin confinement will be a thing, along with visits to the open deck every day on a rotating schedule. Not everyone will get to go each day. Tomorrow, ocean view staterooms can go outside. All interior cabins have been able to see light today. Mandatory masks/gloves will be worn. The Japanese health ministry has provided us with additional doctors and medical staff to assist with the ongoing situation. We’ve been provided with even more water, and have two gallons stockpiled of bottled water. The cruise ship is well stocked, and passengers are being well taken care of. Cabin fever and keeping occupied is the major challenge for many of us, though puzzles are being handed out, origami paper, and many movies are being added. The cruise line has really come together to make the best of the situation. Broadband speeds have greatly increased, and are free. They’re also working on in-room activities to keep us occupied. A new food/beverage menu is being developed. They’ve addressed that being confined is a tough situation, and truly are making quality of life better. Balconies have been addressed - we can go out as we please, but are required to wear masks. The crew has done an amazing job through extraordinary circumstances, and Princess Cruises has really stepped to the plate today. The captain has been much more vocal today - I can’t imagine the stress that’s being put on him between the company, embassies, the Japanese government, and passengers frustrations. Tomorrow morning at about 08:00, the Diamond Princess will set sail to sea for normal marine operations (I. e, making water), and will return in the evening back to Yokohama’s daikoku cruise terminal. I’ll have more updates tomorrow - off to watch a movie with the wife! Things are good, and today, we had BACON. Our clogged arteries are happy! Next adventure starts tomorrow. 2/8/2020 Day 4 07:13 Replied to many comments/Facebook, about to interview with channel 5 in DFW. There are a couple ambulances out but from our understanding everyone was taken off who was positive last night. 08:21 First person has been taken off the ship. Just finished interviewing with Chanel 5 in DFW - will be on at 22:00 central standard time. 08:44 Noticed a few suitcases and people that look like they’re boarding - I’m thinking that these were the Japanese medical professionals that they were talking about. 08:55 The president of Princess Cruises is here in japan working to make sure the cruise remains comfortable for its passengers. A few passengers reported fevers and are being checked by medical staff - that’s what the ambulances are for. A consoling hotline has been opened for guests aboard the cruise. We will shortly set sail to perform essential marine activities off the coast of japan. We will arrive back to Yokohama on 2/9/2020, 0900. They are warning for rough seas such as the other night. Breakfast has just arrived! Looking good food wise again. In other news, we talked to some crew and asked how they were doing. They stated that they are hanging in there, but not sleeping too well due to the increased workload. It’s going to be a long two weeks for them - they’re working incredibly hard! 09:26 The princess diamond just tooted it’s horn and is now off to sea! 11:31 Deck 8 even room numbers with an ocean view window can go to the open deck now for a bit.

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Inside the Rain Free movie page. Tell me that I wasn't the only one who almost cried, when they told Jack, Rose died last night. Inside the rain free movie music. Inside the rain free movie dvd. Finally beat the game and it was a fantastic experience! I plan on writing out my overall thoughts on the whole game in a separate ‘review’ thread, so this will just be my thoughts on chapter 10 and the ending. It's really long this time because I wanted to really get most of my thoughts on this final chapter in there. As with the previous threads, I’ll be marking Xenogears, XBC, and just a small bit of Xenosaga episode I spoilers this time for those who haven’t played them. --- Continuing on from the opening scene of chapter 10, we head inside the elevator and are greeted by space! The view outside the window is really neat, and again it goes to show how far we’ve come, from Azurda’s back on the Cloud Sea all the way to space. I also enjoyed that heart-to-heart where Zeke and Pandoria are trying to find the Titans and Morag starts claiming that she’s also finding a ton of them, just to win their competition. It shows a fun side to Morag that we don’t get to see, at least in the main game. Following this, Malos makes it to the Architect and we find out that all the data from Malos (and most likely Mythra too) is being carried to him, (Xenogears spoilers) which reminds me of the memory cubes that carry the party’s data to Solaris. As we head up the Rhadamanthus Portal, I also like how it’s kinda reminiscent of a security clearance, definitely feeding into the idea of Elysium being a space biome that people moved into and/or out of. The long hallway to it and the ambiance of the moment really adds to the buildup of finally reaching Elysium, and when we pass through the ’s a barren wasteland. While expected, it still hit actually seeing the ruins and hearing Rex’s and Pyra’s despair at what remained of it. After all this buildup, it felt pretty surreal running around Elysium and seeing the rundown modern highway, the park, and all the other structures. The wistful music playing in the background also totally captures the feel of a once great but now decrepit civilization, which I loved for a different reason than I do the other field themes. I have to admit though, while unintentional, I burst out laughing when Rex touched the bike and it dissolved into dust instantly. After that, we head to the church, which actually reminded me of (Xenosaga episode I spoilers) the church in the Encephalon when Shion and the party are trying to find KOS-MOS for her data of the Gnosis attack on the Durandal (just recently got to that point before I started getting really into XC2). In that area, part of the church is breaking down and that segment in the game revolves around the party having to face their painful memories and seeing illusions from within the party’s souls (which will come into play for XC2 in just a bit). There’s also Febronia inside the church, who longs for a place where the Realians could find peace, mimicking Rex’s own journey to find Elysium. Admittedly, the connection is still very broad and it doesn’t fit cleanly, so I don’t think it means all that much in this context. After we enter the church, we get a pretty sudden and kinda eerie moment where we hear a high-pitched sound effect and the party suddenly disappears, which also gave me Xenosaga vibes since I remember segments that were kinda like that. I’m a sucker for surreal segments in games, so this and what comes afterwards got me really intrigued and invested (more than I already was). After Rex moves forward, we find ourselves in a landscape with Ardainian soldiers walking by and skulls surrounding Rex, which I interpret to be what would’ve happened if the war between Mor Ardain and Uraya broke out. Then we encounter Nia and Dromarch, who are unnervingly upset with Rex and we engage in battle with them. I can see where they’re going with this, and I'm already loving this segment. Relating to what I mentioned earlier, we’ll most likely be experiencing Rex’s deepest fears of what the party thinks of him and theoretical doomsday scenarios. Onto the fight with Nia, I liked the eerie sounds in the background and the resentful quotes from Nia. From what I could pick out, there’s: “We came all this for what? ” “There is no Elysium. There never was. ” “Everything we’ve ’s all been for nothing. ” “Damn you for not picking me. This whole time and all this way: Pyra. Pyra. ” “Why don’t you take more notice of me? ” After the fight with Nia, we move onto Morag and Brighid, who are upset about the death of Mor Ardain's people. As for the lines here, I heard: “You disappoint me. I had high hopes for you. ” “And you call yourself driver of the Aegis? Niall? My people? This is all your fault. ” “How long do you intend to continue this charade (I think she said charade)? ” Then we move onto Zeke+Pandoria and Tora+Poppi, the latter of which is definitely the most shattering. Poppi shouldn’t be allowed to be bitter. XD Also, the lines continue to be good: “The Aegis isn’t for the likes of you, chum. She needs a real man. ” (I bet this one really shattered Rex. ) “Tora wanted to be real driver, but it is impossible to become real driver! ” “Just a kid, ain'tcha? Nothing special. ” Also, this fight was surprisingly hard. It took me a few tries to win. Tora was especially annoying because he kept blocking near everything, so I just focused on Zeke first. It was pretty hard trying to hear the clips and I actually went and watched other videos on these fights to see if I could pinpoint any more, but I probably still missed out on some quotes. If anyone has compiled a list of everything that’s said during this segment, I’d love to see what else was said. After this, we get Azurda lamenting his lack of purpose and long life with no goal, and Rex continues to be pained by everyone's uncharacteristic bitterness. Then we return to Fonsett and find Pyra and Mythra oddly making dinner for him. After Rex washes his hands with his gloves on, he returns and after the two start to argue, Rex completely breaks down. I really like this scene for showing how completely off-guard and broken he is after all this turmoil he’s facing (which isn’t something we’ve really gotten aside from a brief moment at the start of ch. 7), and as he’s trying to get his words out, you see how he tries to hold his tears back but can’t help but break down. After the scene ends, we finally meet the Architect and he is confirmed to be Klaus. He informs us that his purpose behind giving us the illusions was to see how mankind has changed, and then we’re greeted to a massive lore dump that completely flips everything as we know it on its head. We learn that Klaus believes the natural state of man is to harbor desires and try to realize them, and we get further elaboration on his goal that (XBC spoilers) reframes/changes his motive for creating a new universe. Just as Amalthus did, he lost hope for mankind and when he discovered the Conduit, he seized the opportunity to change the world for the better as he perceived it. We also learn that parallel universes are a thing and that the Conduit essentially acts as a doorway between them, which opens the door to the other Xeno games potentially being shared within this multiverse. Upon creating a new world, parts of Earth were scattered around the different universes, and what remained of the old world was Morthya’s ruins of Klaus’ body, which I definitely was not expecting. The fact that Morthya was already in ruins when it was transported to Alrest is interesting, as I thought it was humans with the power of core crystals who led that land to ruin, and considering it was a part of Earth before, they didn’t have core crystals (as will be elaborated on a bit later). Also, (XBC spoilers) the fact that Klaus is halved here bares the question of why is Zanza in XBC whole? (I haven’t played XBC in a long time, so my memory won’t be the sharpest and may be wrong, as fair warning) For now, I assume they’ll explain it as Klaus essentially living as the Bionis - rather than as himself - but then moving his soul into the Monado after his ‘death’ in the battle between Bionis and Mechonis. Then, it is only through regaining his power via Shulk that he is able to reproduce his own whole body. Even beyond that though, it draws the question of whether Klaus is the god/Architect of all these different universes, and if so, how is he present in all of them when one half is already in Alrest alone and he establishes that the other half is in the XBC dimension? I feel like it closes the door on opportunities for more of these universes - and potential stories - to feature Klaus, unless Klaus is an unreliable narrator and he’s unaware of other matters in the multiverse himself. Considering that Zanza doesn’t make any mention of his body being halved, I guess it could be reasonable to assume he didn’t know about Alrest Klaus’ existence, which could then be applied to Alrest Klaus himself too. That just sounds like a mess of retcons and goes down a rabbit hole in how much you could stretch that though, I feel, so I don’t really think that’s the case. That, or maybe Zanza’s defeat and Klaus’ passing could recomplete him and send him into another universe. I can definitely see XBC:DE adding on and changing stuff to make sense of this all. Going past this revelation, we learn that Klaus sees this as his punishment for changing the world, and he sought to restore what remained of it here by first creating the Cloud Sea, which had the ability to disassemble and rebuild matter, aka fix the ruins of Morthya. Next, he created the core crystals, which contained memories of Earth’s former organisms, and scattered them across the Cloud Sea, where they eventually grew and evolved into Titans, then other organisms, and eventually mankind again. Despite this, he still didn’t trust the new world in fear of another ‘him’, prompting him to create the Trinity Processor consisting of Logos (Malos), Pneuma, and Ontos. Unfortunately for him, Ontos ‘triggered a space-time transition event, and disappeared forever. ’ (More XBC spoilers) The similar wording between Klaus’ ‘space-time transition event’ and Alvis’ ‘phase transition experiment facility’ could point to Alvis being Ontos. Considering Malos flat-out has a Monado, that also opens the door to Ontos also having a Monado, which could kinda fit with Alvis. The fact that they’ve retconned ‘The Birth of a Universe’ really means anything could be on the table, so there’s a number of ways to take this and make pieces fit into place. The major point of conflict I see is Alvis’ statement that ‘he is Monado’ and that he was there since the beginning, which shouldn’t be the case if he actually existed as one of the Trinity Processor (TP) cores that were created after Alrest Klaus’ creation of Alrest. I guess it could be argued that in the short timespan between Klaus’ creation of a new universe and the birth of Bionis and Mechonis (B&M), Alrest Klaus went through the opening stages of Alrest up to the creation of the TP. As we know, Logos’ and Pneuma’s power source both come from the Conduit, so it stands to reason the same applies to Ontos. Because of this, Ontos can leave to B&M - via the power of the Conduit - to create that world, and thus ‘was there since the beginning. ’ Interestingly, if Alvis/Ontos also plays by the same rules as Blades in Alrest, it could be that he resonated with Shulk, hence why Shulk doesn't get harmed by the Monado while Dunban does. It could also be that Alvis is simply part of a higher plane of existence that’s tapped further into the power of the Conduit - considering he’s the administrative computer of a phase transition experiment facility aka the computer that initiated the creation of the new universe - and was essentially trapped/brought down into one of the TP cores upon their creation, (Xenogears spoilers) somewhat similar to the Wave Existence being trapped within the Zohar and escaping at the end. (end XG spoilers) This could give him the power and opportunity to create B&M but then also be pulled into Alrest as one of the TP cores, before leaving for B&M. Admittedly, I’m typing this segment fairly late at night, so all of this may not be totally comprehensible. Going back to Klaus’ lore dump, we learn that Logos and Pneuma were meant to manage the Blades and that the core crystals of each Blade feed their information about their drivers and the world back to the Aegises, hence why Malos earlier said that their cores contain the very blueprint of all life. This info is then sent back to the Blades to create newly advanced and evolved lifeforms that later become Titans and so on, all for the purpose of restoring the world. He then tells us about the survivors from the old world who still remained in Morthya and unfortunately turned into those mutated creatures after experimenting with core crystals in search for immortality. Yet another product that shows the folly of man and how they bring about their own destruction, similar to Klaus with the old world. That said, if I interpreted it correctly, it was also from their experiments that the Blades and Titans were later created, so that did contribute to Klaus’ hopes. Also, thinking back to Elysium, I guess it’s now more likely that Elysium was actually a space colony that the workers of the Beanstalk and maybe more people (due to the presumed destruction on Earth’s surface) lived in, which fell into decay as a result of the people being teleported elsewhere and/or to Morthya. After this, Klaus talks about the fears people contain within themselves and how they begin to question who they are, using Amalthus as one such example. In this way, that ideal was also impressed upon Malos. We later learn the Conduit has began stirring again and that it is indeed the power source of Pneuma. Amidst all this tension and heavy lore, Rex then comes out with yet another golden line of the Salvager’s Code and shows how hopelessly optimistic he is. With that, we are told that Klaus will disappear soon and the Conduit with him, serving as the high-stakes ‘timer’ for this finale. Then as Rex and co leave, the Architect has a small little line about possibly being able to face Galea again that could possibly point to something else in the future, if it’s taken literally. I could also see it just being from a spiritual standpoint, in that he’ll be able to face her in the afterlife, realizing how foolish he was and having been humbled rather than being the self-righteous man he once was. After we leave the room, Pneuma goes and confirms that Malos is headed for Aion to destroy the world, who’s definitely going to be our final boss. What I found neat is that you can actually run around the Architect’s room afterwards and even talk to Klaus, which I wasn’t fully expecting, so that’s nice. Following this, we see the destruction the Artifices are wreaking on Alrest (which fortunately doesn’t apply gameplay-wise so you can go and restock on stuff:P) and head into a massive hangar, which - combined with the music - really suits the buildup to the final boss. Entering the final boss room, we get one more conversation with Malos, and I like how they highlighted Malos’ connection with Jin and how he kinda saw/used that as validation for wanting to rid the world of everything. I think it leaves it up for interpretation whether this isn’t really just Amalthus’ influence making him see this as additional justification, or whether it’s Malos’ own beliefs that shine through here. Also, I really liked the delivery on his lines here; I could feel the anger behind “Come at me, kid! Come, my partner! ” In general, I think Malos was one of the best voices in this game. Now we get into the final boss, and his theme is fantastic. I legit got chills when the crescendo hit right when you start the fight and unsheathe your weapon. They definitely got the timing on that one right. The chorus of the song (I assume 1:10 and 2:49) is definitely my favorite part of the track for how grandiose it feels and how hard they go in. I’m a sucker for those kinds of swells when it comes to JRPG final boss themes, which is a big part of why the final boss tracks are generally some of my favorite songs in games. As for the fight itself, my party was again Rex, Nia, and Tora (I pretty much ran that team for the entire game), all at level 60. Because of that though and probably my setup (as of chapter 8, it was pretty much a straight shot to the end of the game for me), a lot of the named attacks, like Blizzard, took one or more of our members down to low health or dead. For Rex, my setup for pretty much the whole game was high critical rate with critical healing, that way I could keep him healed while fully being on the offensive. The Arts Chain ability plus food combo to boost arts recharge and party gauge gain is fantastic, since it let me spam the arts to charge up the specials and quickly fill up the party gauge. It was certainly needed for me to counter how often Rex and Nia would die. I pretty much just used Mythra/Pyra for the whole thing for Rex. For Nia, I put the two other healing rare blades she had, Vess and Boreas, and prioritized her HP Potion gain and the power of her healing arts. For Tora, I didn’t get QTpi (nice name) so it was only alpha and QT for him. When it came to upgrading them, I just relied on the ether crystals I got from the expansion pack. Fortunately, she didn’t require much to still be pretty good; I think I used about 15 or so thousand of them total for Tank Mod IV, opening some special enhancing ram slots, expanding capacity, and giving them aggro plus chips. I hate the fact that they tied Poppi’s entire upgrading mechanic to a minigame, so if it weren’t for those free crystals, they’d probably have next to nothing upgraded on them. Once we got to two-thirds health remaining, another cutscene started where we got some more action scenes for the party and an insane moment that surprised the hell out of me: Shulk’s iconic quote, “Today, we use our power to fell a god, and then seize our destiny! ” Not only was it great to hear that quote again, but the realization that both final bosses were happening simultaneously shocked me in an awesome way. For the rest of the fight, it took me probably 7 or so tries to get him. On one of those attempts, I managed to get far enough that he used Prometheus (this man legit just threw a meteor at us) and we died because I just barely didn’t have the party gauge full to pull off a chain attack. Fighting the Artifice Colossus (Colossi I guess? ) actually got the party a couple of levels throughout my attempts so Rex got to level 62, Nia got to 61, and Tora got to 62. After beating the final boss, Rex and Pneuma deal their final blow, where the Aegis Sword undergoes swordception and grows swords out of its swords, and Malos is defeated, just as Klaus and the Conduit disappear from the world. But before he goes, Klaus does some final deed that will probably provide a new world for the people after the destruction from the artifices is over. With that done, the space station begins to fall apart with the disappearance of the Conduit, and of course, we get our self-sacrifice from Pneuma. Poppi’s gonna have a hard time dealing the blow to Rex. She also touched Azurda’s core crystal, so that’ll definitely give him some energy to come into play for later. Then Rex and co. enter the port with the ships and he comes to the realization of what that means. Now we get to the real kicker of the scene. Pneuma tells them that she has to stay behind to destroy the World Tree and Rex pleads Poppi to save her, and you can see all the shock and sadness on her face. I also liked Rex’s delivery when he temporarily breaks down, as short as it was. We then get Pneuma transferring the rest of her core crystal to Rex, and as we heard earlier in the game, she’ll be able to act without it for a bit of time. After she sends them out, we hear Logos ask her about being alive and she most likely says “I love you” or “Thank you” to Rex. After their ship breaks apart, Azurda comes in with that energy from earlier and turns back into his older form, and they come down to see the land of Morthya. This part kinda confused me at first since they just go through a rift to suddenly find the rest of the world there, but now I realize it was just that the Cloud Sea dissipated by order of Klaus and because Morthya is right below the WT, that’s the first thing they saw before the rest of the landmass and the ocean came into view. I assume this land is also either something brought over from the old Earth or was created by Klaus for them to live on. To end it out, we get the party flying out to the new landmass while energy particles from the space station’s collapse rain down, and then credits roll. For the post-credits scene, we return to them flying to the new landmass when one of the particles falls onto Pneuma’s core crystal. I assume what happens here is that within those particles were parts of Pneuma’s data, and considering the Aegises contain data from all life, she was able to hook herself back to the crystal and revive Pyra and Mythra by implanting their own data, though they’re probably just like any other Blade now. Without the Conduit, I think Pneuma and Logos are most likely gone forever. Anyway, going back to the ending, Pyra and Mythra return to us for a really touching scene with Poppi coming to hug them and Nia and the party encouraging Rex to greet them. I especially love that final moment when the lyrics end and we get that small motif from the main theme as one of the girls say something to Rex and he walks over to them, followed by the hard cut to the chapter title card. That said, I do have some more thoughts about this ending, but I’ll save that for later. Besides that, I loved the ending song. It definitely joins Xenogears' (still top though) and XBC’s for being great ending songs IMO. As a little ending note, that brand new Monolith Soft logo movie is real smooth. I love the background and how it represents the sci-fi focus of their games. Then we come back to the main title screen, where Rex, Pyra, and Mythra are now looking up at the World Tree from the new land, which was a very sweet touch. Overall, I really enjoyed this game in pretty much all of its aspects. Again, I’ll save my final thoughts on the game for a separate “review” thread where I go over the different aspects of the game, some music rankings, and more on how this game references and connects to the other Xeno titles (if I don’t separate that part by itself). I want to take the time to read Perfect Works and that Siren figurine box and maybe rewatch some XBC cutscenes. I have to admit, I wish I played Xenosaga previously so that I could’ve also touched on more possible references and reused themes from that series as well.
https://hideuri.com/9bL3MZ

1:55 Omar Sy 🥰🥰🥰. Inside the Rain Free movie.

One day i was thinking how can a true story get part 2 and today i get the answer u

Inside the Rain Free movie reviews. I knew it has to do with Killing Eve when I heard the first song. I just got into this movie like an hour ago and just cannot shake it out of my are SO many layers, subtle clues that the filmmaker Bong Joon-ho managed to weave into the film that make Parasite feel such a masterpiece of filmmaking. (TBH, I just need to vent, if some are so obvious to you, don't mind me) here are a few details I noticed in the movies. Feel free to add more in if you notice something as well. The opening sequence is just a masterclass of world building lesson. Right from the get go, we see the shot of the "semi-basement" window and the starting "We're screwed. No more free Wi-Fi. " dialogue which sets the state the Kim family is living in right away: a lower class family, struggling to even have wifi connection (which they were leaching off from the 123456789-password /upstair/ neighbour - another nod to the height-hierarchy motif of the movie). These people are just miserably poor that they can't afford the essentials of the modern society like phone connections, trying to do the folding pizza boxes as their source of income (which is even below a fast food worker employment). [Heck, even the highest place in the house is literally the toilet seat! I have no idea who built or found this set, but they did their damn good job! ] Fumigation scene: notice how the Father insisted to let the window open so they can have "free extermination", while the Daughter wanted to shut it? Clearly a foreshadow. But this also is a subtle comparison of how similar the family is to the "stink bugs" around them: they live underground in poor living condition, seeing the outer world by looking up while others look down, living on little leftovers that some people like to throw away. And whenever the extermination comes, only the matures can ignore the condition and survive, while the youths suffer (and die). Also this conflict highlights the short-sightedness of the Father and Mother. They are the one in charge, but do not seem to have any foresights for their decisions, or any responsibilities even for their below-basic-income job/gig. Feeble characters who're fit right into the "why the poor stay poor" stereotype, or as some troll in the Internet puts it: "They're inferior losers who don't put in real effort and blame the rich instead since that's easier than working. etc" The "scholar's" rock: I love how the Kims' son keep mentioning how "meta' it is lol. To him, it is a magical device that blessed the family's fortune-turning around later. It's 'hope', 'fate', the "American dream", etc. to him, that he's lucky ever since he got that guess what? That rock is ultimately fake. /It floats during the flood later/, meaning it's certainly hollow inside with a fake exterior. Another metaphor for how the family later "fakes it to make it" to the upper-class Parks family. (And also probably another reason why the son survives the skull-bashing hits. But he probably doesn't know still. In his dream sequence, he can lay it down in the water, meaning he still believes in the "dream"/the rock/whatever it represents to him. ) The "parasite": it's easiest to say that the man living in the basement is The Parasite of the movie. But to me, every family is parasitic in this movie. If the Kims being gassed with bug sprays and having a whole "infestation" operation to establish themselves into the Parks' household, the old housekeeper and her husband's literally living in the shadow of the Parks, then what parasitic behaviour the upper-class Park family has demonstrated in return, other than being the stereotypical Crazy rich Asian affluent porn you may ask? It's the little actions here and there that matter. The "simple" Park mother may be too dumb to be fooled, manipulated and scammed the whole movie, but she knows how to skim the tutor's payment AND then has the audacity to say that she was going to pay the same rate as the old tutor, but "added a bit for Inflation". That upper-class, tech-renovating award-winning of a family literally stays being rich based on underpaying their newer employees. Not to mention, she/the Park family is obviously dependant to the help to feed themselves! Without the housekeeper, she can't even function normally. The subtle details about how the upper class operates and could be interpreted as criticisms to the upper class are also spot on:They didn't care about the degree or certification, as long as "you are referenced to by someone I know personally". They have no idea about arts, but act like snobs while appropriating another commodified culture. They don't even know that their child is "faking" being an eccentric, but hiring all the "art therapist/professional" help that they don't need. They're projecting all horrible things onto their "disgraced" employees, but then use it as sexual fantasy to get off later. Heck, they are so out of touch with reality that they don't even know why the lights were turned on or the fact that they have a whole nuclear basement with a whole person living in it! The director just did an amazing job portraying all the uglinesses of both classes in this movie. The Flood: To me, the flood is the true climax of the film. It's so simple, but truly a masterpiece that effectively demonstrates the deep inequality of the classes, especially under the effect of climate change. To the Parks, the storm rain only helps "clear the pollution away" (while thousands of home are flooded to the ceiling filling up with sewages and trashes), their son has to play camping in the garden instead (while people have to exhaustedly fight against the waters and lose all their belongings to the flood), they have to sleep on the couch in the wide, glass-window living room only because of their son's eccentric behaviour (while people have to seek refuge sleeping like boxed salmons in a gym). Oh, and the next day? Let's organise a garden birthday party instead! And inviting all their upper class friends who sing opera and play cello in the garden, you know, all casually (not to mention chopping woods just for fun! /s), while paying all their employees showing up for it instead! (Not to mention how much resources that state-of-the-art house-on-the-hill can consume and how much human resources it requires to maintain and operate. )Knowing the director from his previous work Snowpiercer, he is very environmentally aware about climate change and how it effects in an inequality I just love how casually and realistically he portrayed the situation in this film. How realistically a disaster to some can only be a mildly inconvenience to the upper class. And I personally had lived through that hellhole of a scenario right in this summer myself so I cannot help but profoundly relate, feeling my hope for humanity slipping again (Long story short, the whole region got burned down due to bush fires. People lost houses while fighting with the fires for MONTHS. I had to live through heavy orange smogs for weeks that's straight out of Blade Runner, while the PM was "missing" on a Hawaii holiday and blamed the people on having a "needless climate anxiety". )No wonder why Mr. Kim snapped so badly later. The Smell: this is what finally triggered Mr. Kim over the edge. He has personally been compared to behave like a "cockroach", living around "stink bugs" (and honestly, the whole hiding under the living room table and really slipping out on "4 feet" scene just really drives that demoralisation home for him). And he can't do nothing about it since it's so inherently attached to him! It's so inherently attached to the lower class that the concept of "the Smell" to the upper class is so devastatingly insulting! (And no, I'm not talking to the bad BO, poorly hygiene people who can simply take more than 1 shower per month. )Imagine being fired or denied an opportunity of work simply because "you smell like you-take-the-subway class of people". A "smell" that normal people don't recognise, only the "upper class" can notice it, even when they're "Smell" is the clearest embodiment of classism in this movie. Nothing Mr. Kim does in his job performance really "crossed the line", but only the "Smell" does. Which means no matter what Mr. Kim does or tries, he would never be good enough to socialise with this upper class. The bug-eats-bug world: Classism aside, this movie also highlights the harsh reality of the common (lower class) people fighting/scheming/harming each other to be in the good graces of the "Parks", instead of working together during the main conflict scene of the movie. A lot of us can look at it and say "why don't they just work together? This is just so stupid! ", but then you would miss the point. Because in reality, we can be just as selfish like any of them, especially when your your own livelihood is on the Kims didn't care that they framed an innocent man who lives in a hostel, or poisoned a woman out of her life-long job. This demonstrates the humanity-crushing truth of struggling to live a life under the poverty line. And the "moving upward" dream that the main character Kim Ki-woo has can only be made via machiavelli methods - or as in the more animalistic world, insects mainly lay traps and eat each other to survive. Some eat their own species. Especially cockroaches, they are infamous as they can eat each other and even their own eggs in order to ensure their own survival over each other. Edit: A lot of people have pointed out how the rock is "real" because it sinks in the water later in the dream sequence and the director says so in interviews. But I have to raise some points to support my "theory": A. The director Bong could just tried to be humble and say he really didn't plan the more metaphorical double layers into the rock. (And I could just have had my "the curtains are blue" moment). But he also said he didn't plan for the Parks son paintings to resemble the man in the basement, which is just humble bs to me at this point. This is the same man who directed a bus to drive through the screen while a "borderline-crossing" moment was happening to a character here. That crazy level of being detail-oriented just reeks through his script, his directing AND his editing. He sure didn't come up with the layers of the rock in his script, but sure af to keep that in his directing and editing. B. The dream sequence: let's make it 100% clear - the scene where Ki-woo "manages to become rich and buy the house, so the Father can just... walk up the stair" will never become a reality. So whatever happens in it, including the rock sinking, is just Ki-woo's fantasy. Ki-woo is a forgery+foul play convict who was also involved in an infamous murder+slaughter spree, while his father is a wanted murderer who's still on the "loose" and their victim(s) is affluent upper-class family in charge of a successful tech company in South Korea (not to mention their affluent injured guests! ) That sure as hell won't look good on any resume, not to mention his 4 times failing to pass the University Entrant Exam already. Ki-woo's life is now certainly doomed to unemployment in the professional white collar world. And if the end credit song written by the director gives any more clues about Ki-woo's life, then it confirms the fact that Ki-woo can only work in blue collar gigs: "sweep and scrub and wipe as my non-existent muscles give out". Good luck saving up enough money to buy that mansion! Probably in 564 years or sth. /s.

Tormund was also in the original Swedish version of this movie called Force Majeure. ☆Every Will Ferrell film turns into a Hardcore Challenge after 30 mins of seeing him on screen☆. AWESOME! Thank you. Ok, a few things before. I was reading this post here last night, and it inspired me (mostly because I had a bottle of wine beforehand and I'm fine with doubling down on a bad idea. ) Second but feel free to skip this part, it's just to provide context about where I'm coming from, I watch a lot of Netflix, I've seen YouTube Shorts, I've also finished reading two novels this year, as well as two manga series. My day job is a writer (albeit journalism based}, I just finished a Master's in Creative Writing, plus my Grandma's a librarian and grandfather a writer/English professor. I have read multiple fantasy novels, multiple thriller novels, more Danielle Steele novels than I'd care to admit, more romance novels than I will acknowledge, most of Poirot, etc. In short, multi-genre reader. I've read all of the shounen manga canon. I've read about 50% of Marvel and DC's comics in the 2010s. In short, I've had wayy too much time spent consuming fiction in different mediums in my 23 years of existence. This leads to my main point. It's ok to get inspired from other media as long as you don't forget the golden rule - render unto Ceasar what is Ceasar's. Ceasar in this case is your medium, and what you're rendering is your structure. A comic book/manga/manhwa/webtoon writer has panelling, art, colours and all of that to play with. A movie/cartoon/anime has movement, sound, facial expressions. A novel has only words, but that's underselling it. With words, you can engage all the five senses. A show can engage your eyes and your ears, but a book can tell you how an Enid Blyton picnic tastes, or how Spider Shepherd's back feels after all his years of being with Mi6. That is to say, Ceasar is demanding all his five senses be engaged. Or even When someone says you can't write fight scenes or magical scenes in a novel like an anime or superhero movie, they mean you're using the wrong toolset. you're writing a scene like you're reading a comic book or watching a movie and describing what's going on, you're not using your writer's toolset, you're creating a descriptive essay. Non-fiction is where people go to read essays, not the fiction aisle. Let's look at two mainstream anime fight scenes to illustrate (chosen because anime has the most direct adaptations and its easier to search YouTube and copy URLs than search up scenes and then copy and paste from Kindle Cloud reader): Naruto This fight scene features Kakashi facing off against two opponents with well-animated hand to hand exchange. It's brilliant, and it works -- for the medium. This is not in the manga, but the anime writers added that in because they felt it would work well for that medium of animation where the fluidity of the motion can be appreciated. What would work for a novel? You could focus on the blow by blow description, trying to paint a picture for us. Or you could focus on Kakashi. What's he showing in that scene? Desperation? Your tools are sentences. Short, snappy. The reader has to be breathlessly reading along, not slowed down by short descriptions. Focusing on the antagonists? What are they feeling? Glee? Boredom? Get inside their heads, and let's dive into madness together. Or look at this explosive One Punch Man scene: It looks amazing if you're watching it, but how would you show it? If you're describing it as you see it, you're not rendering unto Ceasar, you're giving Ceasar 1/5th of his tithes because you're probably only focusing on the images and Ceasar doesn't care because he can watch this on YouTube. You could focus on the heroes increasing desperation through the eyes of one character on the side, or focus on Garou's struggle from his perspective. I can see his wounds in the animation, if you're writing, I want to feel them. I want to taste the blood, I want to feel my arms crack, I want my vision to go hazy. You could even skip the fight and write something like: The heroes unleashed relentless attack after relentless attack, the Hero Hunter didn't wilt. Calmly slipping between their defences, he took them down one by one, until he was left alone in the rain. Bloody, beaten, but victorious. Broken arrows lay splintered among spent bullets among shattered heroes, but Garou remained standing. If you don't think that the blow by blow description of something that is also consumed in visual media can sell, just remember that erotica writers rake in the $$$/£££ despite the existence of, well, the other stuff. Recall also that members of SEAL Team whatever and Mi6 and Mossad killing a million people has sent their writers laughing all the way to the bank in the thriller/military fiction side of things (which is kinda underrepresented on Reddit to think about it. ) I'm no-one special, I'm still learning like everyone on this subreddit. But I believe writing is the best medium. People were telling stories of superheroes and gods back before TV was even a glint in someone's eye. They didn't have two heads, they just used the tools they had available to them. What I'm saying is be inspired from whatever media you like. Heck, if a poem inspires a novel, go for it. Just remember that once you start writing a novel, you're writing a novel and use the appropriate tools.

Inside the Rain Free movie database.

 

 

 

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